By John Rechy
Gore Vidal has hailed John Rechy as one of the few unique American writers of the final century,” and Michael Cunningham has known as him an writer whose lifestyles is nearly as attention-grabbing, and significant, as his work.” Rechy’s long-awaited memoir,About My lifestyles and the stored Woman, is the author’s first open remedy of his lifeand a testomony to the facility of delight and self-acceptance. Raised Mexican-American in El Paso, Texas, at a time while Latino childrens have been oftentimes segregated, Rechy was once frequently assumed to be Anglo as a result of his gentle pores and skin, and had his identify changed” for him through a instructor, from Juan to John. As he grew olderand as his fascination with the reminiscence of a infamous saved girl in his formative years deepenedRechy turned conscious that his changes lay not only in his background, yet in his sexuality. A relocating, strong tale of a lifestyles that bears witness to a couple of the main riotous alterations of the past...
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Extra info for About My Life and the Kept Woman. A Memoir
There was all the usual brouhaha of Mexican weddings that occurred even in this higher, but poor, echelon of Mexican immigrant society. Discarding my awkward jacket on a chair somewhere, I slunk around winding in and out of people grouping to discuss how beautiful the wedding had been, the women dabbing at tears of memory, the sad happiness of such an occasion. My sister and her husband had walked in through showers of rice and congratulations, rushing past greeters toward the largest room, where the cake that looked to me like a castle was waiting on a table.
The other woman echoed. She fished into her purse, and out came her own revolver. The dueling revolvers were pointed so unsteadily that the other women ducked under the table, sending the offending cards cascading to the floor. My mother hurried us out of the house, pushing me along because I kept looking back, hoping to see a scene that would rival the ones I saw in old movies during Revival Week at the Texas Grand Theater. Since we didn’t hear shots, I assumed the matter had been settled without murder.
Always fascinated by beauty, I had even coaxed my sister Olga, then still gangly, to enter a “worldwide search” for a woman to play a modern Salome in the western Salome, Where She Danced. I posed her in what I assumed—after many false attempts—made her look glamorous, a formidable feat, since she had not yet blossomed into the girl in a wedding dress. Constantly gnawing on a strand of her dark hair, she had grumbled as I snapped the small box camera I had acquired by saving bubble-gum wrappers.